What makes a song psychedelic




















Of course, nothing simply materializes out of nowhere. As is well known, the concluding and most extreme track on Revolver was actually the first to be tackled when sessions began in April Lennon always claimed that the notion came about as he accidentally played the tape backwards on his Brenell recorder at home, but George Martin maintained that it was he who suggested applying the technique — an equally credible claim.

The example they set — that pop music could accommodate all manner of sounds, shapes, and caprices — was exceptionally empowering: it threw open the gates to the playground and invited musicians to go figuratively and sometimes, sadly, literally nuts. Over the next few years, a similar fate would befall any number of records perceived to be peddling drug allusions. Also keenly aware of the prevailing swirls in the upper atmosphere were The Beach Boys.

The Americana-encompassing SMiLE album project — which Wilson embarked upon after being introduced to erudite fellow songwriter Van Dyke Parks in early — promised to boldly broach a whole new series of frontiers.

Though the project was ultimately abandoned, a long-deferred happy ending came about when Wilson revisited SMiLE for a concert tour and studio album. No mean acid crusaders themselves — guitarist Jerry Garcia was affectionately nicknamed Captain Trips — the Dead came to epitomize cosmic freedom for generations of festival-going, tie-dyed Deadheads, right into the 21st Century.

I don't know if you can break it down with a simple definition I think you're sort of right though with the idea that most psychedelic music has elements drenched in trippy delays or reverb. Does that mean that anything with big epic delays and verb is psychedelic??? Not in my opinion, but here's wikipedia haha Acknowledging this, author Michael Hicks explains: To understand what makes music stylistically "psychedelic," one should consider three fundamental effects of LSD: dechronicization, depersonalization , and dynamization.

Dechronicization permits the drug user to move outside of conventional perceptions of time. Depersonalization allows the user to lose the self and gain an "awareness of undifferentiated unity.

Music that is truly "psychedelic" mimics these three effects. OGBama Moderator. Study how drug culture literally plays a huge role in the sound s of music. Previous Kepa Lehtinen — Fall [Review].

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